If the furniture is original k

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Home> környezet.kultúra> város.vizuális Culture> Arts, Design> Floating Dreams indentured servants - Shiro Kuramata indentured servants and Ettore Sottsass exhibition on March 2, 2011 11:15 CET landmark opinion in Tokyo [38], Japan [52], architects, artists: Ettore Sottsass [2], Shiro Kuramata [1] Authors: Judith Várhelyi [31]
The Japanese art of leaning towards the less well-known face of post-modern, bright decorative tempered currents, which flourished in the eighties. Two emblematic figures of the era, Shiro Kuramata, Ettore Sottsass and his work through this interesting, playful, light-filled world of dreams and try to flash the 21_21 Design Sight in Tokyo Gallery indentured servants in the exhibition, which was designed by Tadao Ando building.
21_21 Design Sight gallery in Tokyo, sees it as its mission to contribute to the interpretation of modern contemporary indentured servants design, it first seemed incomprehensible that this year's first issue of why the late Shiro Kuramata for two decades (1934-1991) and his friend, Ettore Sottsass for ( 1917-2007) devotes. The gallery director, the renowned Japanese fashion designer Issey Miyake, however, indentured servants the two forming indentured servants the intellectual heritage has never been more timely, as today, when criticism of the consumer society has been questioning the role of the conventional design and methods.
Kuramata and Sottsass friendship in the eighties, after the first, legendary Memphis group in Milan exhibition of the completion date. The Memphis player furniture shapes and colors, the rich decoration bordering on kitsch and eclectic historical references shocked viewers accustomed to the modern style. The exhibition launched indentured servants aesthetic indentured servants revolution, the effect of which is still visible in the works of a new generation indentured servants of star designers as well.
Japan's bubble economy of the eighties were the years; indentured servants rich, confident, full of optimism decade, which contributed to the rapid success of the post-modern architecture and design. The style is modern and clean, almost ascetic Japanese culture affinity commonplace object and this view is widely accepted that the postmodern harsányság only be the result of Western influence. However, the Japanese of beauty is another obscure side, which is decorated with richly gilt, and orgy welcome to use the colors. This is often the aesthetics of the Edo era shogunátussal and emerging artisans layer are identified, the most famous example of the Nikkol Toshogu shrine is located. In fact, the two sides are not in contradiction with each other, but the Japanese cultural history in dynamic equilibrium are complementary.
Kuramata worked as an interior designer, and furniture especially designed interiors, not mass production. Unfortunately, most of the work was short-lived office and commercial space, so now only show images that can often autotelic tables and chairs which of course include the original belesimultak neighbors. For example, the Kyoto table was originally a Miyake boutique, a terrazzo-paved, pop-art style interior.
If the furniture is original k